How many megapixels is Red Epic?
Tech Specs
| SENSOR TYPE | RED DRAGON 19.4 Megapixel CMOS |
|---|---|
| EFFECTIVE PIXELS | 6144 x 3160 |
| SENSOR SIZE | 30.7 mm x 15.8 mm (Diagonal: 34.5 mm) |
| DYNAMIC RANGE | 16.5+ stops |
| MAX DATA RATES | Up to 200 MB/s using RED MINI-MAG (480GB & 960GB) Up to 170 MB/s using RED MINI-MAG (120GB & 240GB) or REDMAG 1.8″ |
Is red camera full frame?
RED Movie Camera Monstro 8K VV Sensor The RED Monstro 8K VV is the largest sensor RED has to offer and is ostensibly full-frame, which isn’t traditional for a cinema camera. The 8K resolution will allow you to move in, crop, and focus on areas of your footage without loss of quality.
What is Redcode ratio?
With REDCODE you can choose a compression ratio from 3:1 to 18:1. But, as you will notice in your test shot, when you change the frame rate the camera prevents you from using some compression ratios. So, with my settings, my maximum compression ratio is 7:1.
How big are red raw files?
Depending on the ProRes RAW flavor you opt for (RAW or RAW HQ), the file sizes may be larger than expected. For example, while the REDCODE Raw footage was 1.06GB, the ProRes RAW HQ footage required over double the drive space (2.59GB).
What resolution is red camera?
The Red One first introduced in 2007 was Red Digital Cinema’s first production camera. It captures up to 120 frames per second at 2K resolution and 60 frames per second at 4K resolution. Its “Mysterium” sensor was acquisitioned for use with the proprietary RAW format called Redcode.
Is red raw 16bit?
The Real Raw With 16-bit color depth and 16+ stops of dynamic range, REDCODE RAW provides the flexibility to adjust ISO in post, render true color, avoid banding and ultimately unlock the full potential of your imagery.
What codec does RED use?
r3d codec
We feel RED’s r3d codec is the best codec in the business, and we’ve used them all in post-production! Not only does r3d work natively in Adobe Premiere Pro and Davinci Resolve, but it also allows for any level of compression while recording in-camera.
Is red raw 16 bit?
The Real Raw The first cinematic raw. The best cinematic raw. With 16-bit color depth and 16+ stops of dynamic range, REDCODE RAW provides the flexibility to adjust ISO in post, render true color, avoid banding and ultimately unlock the full potential of your imagery.
Is ProRes raw real raw?
The basics, what is it? So, from the title, you may have guessed that ProRes RAW is a RAW recording codec, which offers fantastic flexibility in post-production, with manageable file sizes, and smooth playback in editing software.