What does Winnicott mean by play?
Winnicott suggested play was a way of reaching the authentic, creative, less-defended part of a person’s personality—i.e. the “True” self, in terms of his True and False Self-distinction (1960).
What is Winnicott potential space?
According to Winnicott, “Potential space . . . is the hypothetical area that exists (but cannot exist) between the baby and the object (mother or part of mother) during the phase of the repudiation of the object as not-me, that is, at the end of being merged in with the object” ([1], p. 107).
What is the definition of false self according to Donald Winnicott?
D. W. Winnicott defines the unhealthy false self as one that fits into society through forced compliance rather than a desire to adapt. Real-life examples of the false self are based around certain beliefs that we take on in order to fit into our worlds better. Our real feelings and desires matter.
What are the two levels of pretending?
Stage I: Imitative Role Play: In this initial stage of play, children try to act, talk, and dress like people they know.
Who Analysed Winnicott?
Donald Winnicott Already deeply interested in child psychology, Winnicott decided to go into analysis with James Strachey, an analysis which lasted 10 years. He was later analysed by Joan Riviere, and started his analytic training in 1927.
What type of theorist was Winnicott?
psychoanalyst
Donald Woods Winnicott FRCP (7 April 1896 – 25 January 1971) was an English paediatrician and psychoanalyst who was especially influential in the field of object relations theory and developmental psychology.
What is potential space in therapy?
Potential space is the opening that allows for the unknown, for surprise. This is experienced in the process of psychotherapy. Potential space is necessary for change and growth and in the process of creating art. This experience may translate to increased responsiveness and efficacy in the clinical encounter.
What is creative Apperception?
Winnicott more fully develops these concepts in Playing and Reality, in which he explains ‘creative apperception’ as being the primary process ‘that makes the individual feel that life is worth living’ whereas relating to external realities dominated by compliance constructs a world ‘only as something to be fitted in …