Does the Shure SM7B need a shockmount?
The SM7B contains internal shock mounting, so external shock mounts are not required. Traditionally, the SM7B and MV7 are mounted to a boom arm so that the mic can be positioned in front of a person sitting in a radio or podcast studio.
Why does everyone use the Shure SM7B?
The SM7b is a phenomenal mic that is widely used by professional engineers for a variety of applications from vocals to kick drum recording. It’s particularly popular on heavy rock and rap vocals because of its mid range punch.
Does the Shure sm7b come with a boom arm?
Unfortunately, the Shure SM7B does not come with a boom arm or mic stand.
Do shock mounts make a difference?
A microphone shock mount helps to avoid ruining a good recording. Any contact with the microphone creates a low-frequency rumble, also called structure-borne noise. Structure-borne noise can be caused by wind, a moving cable, by stomping on the floor, a passing truck, etc.
Is Shure SM7B worth it?
Quick Answer: If you have lots of ambient noise issues while recording, or if you’re a professional making money from whatever you’re doing, the Shure SM7B is worth the price. However, if you’re just getting started and have a limited budget, we recommend starting with a less expensive microphone.
Why is SM7B expensive?
The Shure SM7B is a far more expensive microphone because of a few limitations. First, you won’t get great sound out of it unless you pair it with a Cloudlifter or a Fethead. The issue why the SM7B needs a Cloudlifter is because as a dynamic, it’s a quiet mic. So you end up raising the GAIN on the interface.
What screw does the SM7B use?
Shure SM7B should have 5/8 thread female screw. When you want to mount SM7B on the mic stand, mic stand usually has 5/8 male screw on its top. So, you just directory screw on it.
What’s the point of a shock mount?
The shock mount is built in such a way that the microphone is protected from contact using suspensions. A microphone shock mount helps to avoid ruining a good recording. Any contact with the microphone creates a low-frequency rumble, also called structure-borne noise.